Friday, July 4, 2014

Of Buddhas, Beggars, Kings and Knowers: A Mandala of Vajra Masculinities - Neela Bhattacharya Saxena



 

Kalachakra Mandala
“Thus have I heard: evaṃ mayā śrutam.” (a sort of Mahayana disclaimer)

When Siddhartha Gautama was born, seeing the signs of Chakravartin (one who moves the wheels) on his baby body, soothsayers of his father’s kingdom voiced two choices for his future. He will either be a world conquering emperor or a world renouncing beggar monk/Sanyasi.  Raised by his maternal aunt Mahaprajapati Gautami since his mother Mahamaya died soon after, Gautama ended up being neither; he just woke up as all dichotomies of renouncing and conquering dissolved into the great emptiness of the womb of Prajnaparamita, mother of all the Buddhas. He touched the earth Mother as witness to his awakening, grounding himself to the vajra (indestructible diamond and irresistible force of a thunderbolt) touch of existence as mind born delusions faded away.

He was now Shakyamuni, the Buddha.  He set in motion the wheel of dharma (Dharma Chakra Pravartana) shattering all boundaries and began speaking what, like the Tao, could not ultimately be spoken. But it can be heard in the unsung music of the bamboo grove. After many a sermon, sutras and teachings about extinguishing the fire and what not, one day the awakened one picked up a lotus flower from the muddy pond and held it up for his disciples.  People were waiting, and they were confused as he did not speak. Mahakashyapa, a rather laid back and quiet disciple, suddenly smiled and then began to laugh.  

Since then this “roaring silence” has been reverberating through the interior worlds of many aspirants who long to experience truth. However, India’s spirituality being deeply inward moving, the mysterious fragrance surrounding the flower could not really be spread until Bodhidharma showed up. He was the son of a 5th/6th century C.E Pallava king and his guru was Prajnatara; she asked him to bring the dharma to China.  Wedded to the Tao, it then flowered in Japan as Dhyan/Chan turned into Zen, a child of Indic and Sinic ways and yet utterly distinct in its very Japanese identity. So proclaimed Osho centuries later when he appeared amidst great confusion in the land of the Buddha. 

Bodhidharma
As the great wheel of time, Kalachakra, kept moving, more cultural waters mingled and more people began to recognize their true nature. Men and women both inhabit wisdom and compassion, but Buddhist tradition ascribes skillful means and compassion to the masculine and wisdom to the feminine. Men must access the feminine wisdom within. Divested of the delusions of patriarchal power, Yang can swim in the cool waters of Yin gaining vajra strength.  A Taoist beggar monk Budai knew, it is in becoming a beggar/fakir and fully emptying your bowl of tea that you can fill it with the profound treasure that is existence.  He shape shifted with Bodhidharma and Shakyamuni and as the Laughing Buddha began laughing his heart out in great contentment. Delicate aromatic chai kept flowing toward all who could sip with open hearts.

In the meantime Buddha’s teachings had uncloaked themselves as Vajrayana (Diamond vehicle/Thunderbolt Way) in the Indic scene where Nairatmya, the great dark mother of the Tantric way, impatient with all the sutric delays was swiftly cutting away delusions with her wisdom sword (Vajracchedika- Daimond Sutra). Stupa of practice was rising. Guru Rimpoche, Padmasambhava, born of the Lotus carried the knowledge to Bhota/Tibet. The foundation stones of vipassana, samatha, she-ne, zazen were chiseled to create the most beautiful colors of yub/yum, dance of the dhyani Buddhas and Taras in their mandalas.  Vajrayogini’s embrace delighted a Mahasiddha like Tilopa who sang the song of Mahamudra as Tantra teaches “sahaja” a “natural flowering of inner discipline” without splitting you into matter and spirit.

Guru Rimpoche
It is the ancient way of the fierce Mother whose dance showed Tilopa how to be “choicelessly aware” and bathe in the crystal clear pool of one’s own mind. Shiva Nataraj’s damaru sounds that same truth and in great delight Mahakali dances her crazy dance. But the nature of life is such that we forget that inner truth; some men have to work harder to experience this sublime joy paradoxically because patriarchal power structures exploit their strength veiling the root of this origin. Once he hears the ecstatic sound, and returns to the womb of emptiness, he can awaken to his indestructible vajra being. 

This knowledge also makes one effortlessly float in the conventional world since it uncovers the non-duality of Samsara and Nirvana.  A contemporary Vajra master, Kulavadhuta Satpurananda, my guru, explains: “Nirvana being the origin of Samsara or the material world and at the same time Samsara being the origin to strive for the state of Nirvana, both are perceptual standards of concepts arising from or dissolving into each other.” Paradox abounds in life and must be recognized so that limitations of conventional logic can give way to liberating inner reason. 

Shiva plays his damaru, Kali dances
All this may appear esoteric, but such liberating knowledge would attract the most worldly of people- kings. After all most humans have to manage their interior lives no matter what their station in life.  Since the days of the Shakyamuni historic India produced many kings who wanted to be “knowers” not just rulers.  But Yang is one-sided; power over others has led to great delusory trips for many a man. Ashoka had to kill one too many in battle before his eyes would open to the truth of power within.  Such knowing power requires giving up one’s identity and dominating ego-self.  Only a fakir can truly savor the beauty of the world because he owns nothing, especially his own identity.

Legend has it that a 7th century C.E. King of North India would give away all he owned every few years during the Kumbha festival.  Some think he was a Buddhist but rigid religious identity was never a part of ancient Indic ways.  Harsha Vardhan (606-647 C.E.) was the last emperor who had united a large part of India/Bharata. Banabhatta, his court poet, describes him as “calm in mind like Buddha himself.” In the usual Sanskrit panegyric style, Bana invokes all the gods and portrays his king thus: “He displayed an avatara of all the gods united in one, as he had the lost delicate feet of Aruna, the slow-moving thighs of Buddha, the brawny forearm of the Thunderer (Indra), the shoulder of Justice, the round lip of the sun, the mild look of Avalokita, the face of the moon and the hair of Krishna” (Harshacharita trans by Cowell and Thomas)! 

Harsha Vardhan
A Chinese pilgrim Huen Tsang or Xuanzang who made a journey to the “West” and came to India during Harsha’s reign left more details about this king. His patronage of Buddhism and generous donations to the University of Nalanda are well known. Harsha was a great patron of the arts and himself a playwright with three plays attributed to him. He also wrote poetry on Buddhist themes.  Apparently he established diplomatic relationship with Tang dynasty China. Huen Tsang attended along with the King himself a great Buddhist council in Kanyakubja, the capital of Harsha’s kingdom.  

Kingdoms fade, wheels move, other empires and civilizations rise as waves on the ocean of existence. Once in the land of the ancient spirits, a new empire arose and people from India with the tides of history showed up on its shores. On the eve of one Independence Day, July 4th, 1990, one woman was ready to give birth. But the baby waited till the next day so that his birth day is not blown up with all of the fireworks. The blessed couple called the child Harsha Vardhan. When friends asked his father why not an American name, he quipped should we have called him Tonto! 

This child is closer to the nature spirit of this land although born under the power over style of the great American empire. Coming into the world on the heels of July 4th, this baby imbibes the spirit of freedom.  As the first born son of a first born father whose birth was an auspicious occasion for the entire family, Harsha bears both a blessing and a burden. It is not easy for immigrant families to own their ancestry as they come under the spell of power structures that undermine their cultural ways of life.  But strange are the ways of the Mother. China forced the Dalai Lama out of Tibet and another magic began. As he was given sanctuary in India, the Buddha returned to his homeland and the flower of Mahakshyapa began spreading its fragrance in the wider world. 

In the 21st century, both Hindu and Buddhist understanding of the human mind-body-spirit continuum have come to be valued by the imperial west in ways that was unimaginable when this child was born. Harsha Vardhan means ‘one who increases joy’, and his mother likes etymology; father likes his royal historical namesake. Born in the land of limitless but often delusory choices, this child is now coming of age. As he dances his Harsha dance into the future, may he recognize his birthright of “choiceless awareness” and fearlessly join the mandala of vajra masculinities.