Thursday, November 27, 2014

Sweet, Salty, Sour, Bitter, and Pungent Flavors of Life: A Zen Thanksgiving in the Garden of Eden



Delicate crunching sounds of the apple mingle with the texture of its tart taste against her palate. The magic tree bursts with joy as it sees the fruit’s delicious red roundness disappear with the first bite.  Strangely it created an image of the bitten apple that people in the future will connect with their machines rather than with the very elixir of life.  The desire to share the fruit’s sweetness with her companion arose in Hawwa according to this version of humankind’s many origin myths.

As Aadam took the next bite, their journey of awakening to the multiple flavors of life began.  The tale has been interpreted many times over with mostly negative inflection, blaming Eve/woman for the troubles in the world.  On the eve of this Thanksgiving as the evergreens in our backyard bow down with their snowy burden, I ponder the meaning of Hawwa, Eve’s other name in Hebrew that means the source of life. Thinking of her, whose origin may lie in the ancient near eastern goddesses, as Annapurna (a food bestowing Hindu goddess), I imagine a Zen Thanksgiving in the Garden of Eden.

This year as the prophecy of a heavy snow storm took over their minds, people in the east coast began their travels early and rushed to gather all the ingredients for ritual consumption of excess.  The American Rite of Thanksgiving is a yearly reminder of their blessed entry into a new Eden after their expulsion from their European homeland.   Since the first European emissary mistook this land for an eastern paradise calling the natives Indians, I claim my right to infuse Zen into the mix of recipes people will consume this season.  The natives inhabiting this land, who came from Asia millennia before, joyfully shared their food, according to the American myth, with the new arrivals. The encounter did not end well.    

Well, human history is as bitter sweet as our food. It is funny that one meaning of the word Adam connects him to the color red! In a version of the tale the Prophet of Islam explained the nature of the clay used to create the first humans thus: “The dust resembles him most because it is white, red, green, pink and blue. It has sweet, sour tastes, agreeable and disagreeable temperaments, hard and soft qualities of mind. This has caused the people to be soft and hard, red, black, yellow, pink based on different types of soil.” So we are many colored clay according to this tale; we are made of food according to the Upanishads where anna (food) itself is Brahman or ultimate reality. If we traverse to China and mix India’s Buddha with China’s Laotzu, we enter the Zen Kitchen to savor our collective feast of gratitude. 

                             
The cover of the latest National Geographic is adorned with an apple, and the issue is dedicated to the joy of food that brings family and friends together.  We learn that “From Qesem Cave near Tel Aviv comes evidence of ancient meals prepared at a 300,000-year old hearth, the oldest ever found, where diners gathered to eat together.” The magazine article reminds us that “’To break bread together’, a phrase as old as the Bible, captures the power of a meal to forge relationships, bury anger, provoke laughter.”  The ritual of Thanksgiving repeats that ancient relationship, but in our daily life many of us have lost our joyful connection with food.

                                                                      
In today’s mechanized age in a strange twist of fate, people in the richer suburbs of the earth gobble down their fast food, heat up frozen entrees, and consume canned goop. In their benighted capitalist mindset they also think of paying women for their “job” in the kitchen. In most ancient cultures food preparation and partaking has been a sacred activity.  It is strange that even in India where Shiva as a beggar stands in front of Annapurna for the benediction of food, people are now falling over each other to imitate such weird ideas.  In this new century, when women scramble to keep the rhythm of their lives together with demanding external jobs, many still see their food bestowing role as a privilege. However, that does not mean that women are born with a cooking gene, or they all belong barefoot in the kitchen.


Feeding is not economic consumption but a life sustaining activity and although there are celebrated chefs who are men, women who feed their babies with their bodies can associate life, body, and food with a sacred materiality.  Ishigaki Rin, a Japanese poet, writes in a poem called “The Pan, the Pot, the Fire I Have Before Me” that “cooking was mysteriously assigned to women, as a role, but I don’t think that was unfortunate” and her speaker wants to “study government, economy, literature as sincerely as we cook potatoes and meat.” It is difficult to do that for either women or men if they are all running helter skelter to make more and more money to obtain the latest gadget when Black Friday rings in, abbreviating their giving of thanks.

Although cooking for the family is not a role assigned to men, women find their men who cook quite irresistible.  In a remarkable film called Eat Drink Man Woman Ang Lee, the director from Taiwan, creates a sumptuous visual metaphor for the pleasures of life that are delicate, plentiful, deeply nourishing and profoundly satisfying if one knows the secret of the flavors of life.  In this earthly paradise, human beings have been gifted with the most gorgeous fruits- plum, sweet and sometimes bitter but unfortunately often we fail to taste them because we mix up the real with the mental. 


It must be my recent return from the American Academy of Religion conference whose book exhibit was overflowing with thousands of books on the Bible that made me want to read the Hebrew tale from an eastern perspective. While the Tree of Life coexists with the Tree of Knowledge, life sometimes frightens man because his mind reminds him that the apple’s crunchy sweetness is momentary and transient; soon his palate will return to dust so he imagines a permanent heaven in the future.  In the process he forgets that he actually resides in paradise, now.  Since no two monotheists agree on what their tales mean, glancing from the Coptic, to Orthodox, to Gnostic readings of the story of a Jewish man named Jesus, this desi woman can surmise that he had woken up from his slumber and wanted others to awaken to the knowledge that the kingdom of heaven is within us.

As I walked through the book publishers’ aisles, I noticed more faces of the Buddha peer from the covers of newly minted Tibetan and other Buddhist Studies texts and found enough splattering of Vedas, Upanishads and Daodejing to remind the unwary alien wanderer that humankind has produced other books too.  Buddha and Laotzu who ignore the concepts of creator gods teach us to wake up to the beauty of the moment where eternal life resides. They would say to Hawwa and Aadam that each has to eat the apple and take the journey into their own depth consciousness to recognize that Eden is just each person’s awakening to life’s magic. Buddha nature is our birthright; it makes us aware of the texture of life in its splendor once the illusion of a separate self falls off the shelf.

In the Zen Kitchen to Enlightenment, Master Dogen exhorts the disciple, “When washing the rice, remove any sand you find.  In doing so, do not lose even one grain of rice.  When you look at the rice see the sand at the same time; when you look at the sand, see also the rice. Examine both carefully.  Then, a meal containing the six flavors and three qualities will come together naturally.” Then he says, “Handle even a single leaf of a green in such a way that it manifests the body of the Buddha.  This in turn allows the Buddha to manifest through the leaf.”

                                              
Meditating on food while handling a salad leaf, let’s now add the taste of mango chutney to our palate and paint this writing palette with the colors of India.  Mango is mana, a divine fruit of the most sensuous kind.  Its intoxicating fragrance is meant to invoke the desire to live and taste its most maddening flavors. While food is Brahman, Isha Upanishad says it must be shared and eaten with detachment: Tyakten bhunjhitha.  Taittiriya Upanishad speaks of eating together in another mantra.

Today our appetitive desires have left all boundaries, and strange notions of hunger games have distorted our original relationship with hunger. The psycho-spiritual effects of abstract notions that see life as punishment and our material existence as sinful can be far reaching. India too suffers from such abstractions. A film called Compulsion with Heather Graham hints at pathologies around excesses. In India the Great Goddess herself is the indwelling hunger and she is its satiety.  One must be a beggar Shiva with an empty bowl stretched in front of the abundant goddess Annapurna who fills it with the most delicious delicacies. Shiva’s hunger sated, he returns to his meditation.
 
Abundance of the American Thanksgiving is a gift indeed but so many political calls to change food labels and portion control mechanisms speak of an epidemic. Alan Watts, the western world’s Zen master extraordinaire, describes our “abominable kitchens” that are “not the result of poverty.” He writes in an essay called “Murder in the Kitchen” collected in a remarkable book Does It Matter: Essays on Man’s Relationship to Materiality that these kitchens “reflect the fact that the richest and most powerful civilization on earth is so preoccupied with saving time and making money that it has neither taste for life nor capacity for pleasure.” That is a true fall from grace.

Although I have been fortunate enough to eat the most marvelous food in many corners of the world, I often recall the image of my grandmother with a Bengali knife (bonti) sitting in the courtyard.  She took her utmost time to cut lau or lauki (a kind of squash) in the finest pieces possible for a favorite recipe of mine.  She would also cut its green peel in thin bits so that the entire vegetable can be eaten in its delicate finery.  She also taught me my first rituals that sustain me even today. She must have known the mystery of our interiority, the female knowledge of life.  Remembering her, I pray may we this Thanksgiving, become aware of the gift of life, breath, and food and truly relish a gathering of family and friends.



Wednesday, October 15, 2014

Songs of the Subcontinent, Music of the Spheres, and Dance of the Body Particles: A Sufi Salute to the Nobel Peace Prize – Neela Bhattacharya Saxena



The miraculous still happens on the global stage. One day you fall asleep concerned about yet another skirmish threatening to engulf the political borders between India and Pakistan, but you wake up to the news- Malala Yousafzai and Kailash Satyarthi, children’s rights activists from the two countries have received the Nobel Peace Prize.  Suddenly you hear a sort of Pythagorean music of the spheres, and you want to dance to an old song written by a Pakistani shayar (poet) sung by an Indian.
There have always been people who ignore all the cynical testaments about human depravities and imminent disasters and go on doing the right thing.  We often do not hear about them unless they are recognized by big names.  Discovering Kailash Satyarthi and his Bachpan Bachao Andolan (Save Childhood Movement) has been one such joyous moment for me.  Malala we know and have come to love in spite of the many usual nay-sayers. She represents the innocence of childhood shattered by violence in many parts of the world. Her hijab covered, bullet scarred head with a smiling hopeful face has since become a symbol of Muslim womanhood in search of justice.


Malala and Satyarthi together capture a remarkable image in their names, a grief stricken quest for truth. How fitting for an ancient civilization full of contradictions! Although the accolade highlights what is wrong with the subcontinent, it gives me an opportunity to sing of love songs. The joint prize reminds me of the great affection between neighbors that share a culture far older than recently carved national borders by benighted political entities of yore.
As a Bengali woman who grew up in UP, I had the good fortune to know Hindi which connected me to the greater country. Bollywood songs have tinged my soul with enough Urdu color to recognize how a particular kind of Sufi Islam has helped create the modern Indic world.  On the other hand, as my April blog testifies, having grown up with the tales of partition and a broken land, I have no illusions about the fault lines.
Hindu Muslim camaraderie has created the magic of Bollywood. You can pick any popular Hindi film song, and you will find the collective creative genius at work, not to speak of many beloved Khans who dominate the silver screen.  Having been married into a UP family, I relished my late father in law’s most refined Urdu inflected Hindi. He could read and write in Urdu and also knew Farsi (Persian). Although I missed the opportunity to learn Urdu from him, we shared a love of the language and film songs that his children, raised in the US, could not always appreciate.
Human soul’s longing for the infinite was reflected in countless songs that we enjoyed. He used to love a song “Aaj jane ki zid na karo” (do not insist on leaving today) and would often ask me to sing it; a difficult and haunting ghazal, it is sung by both Farida Khanum and Asha Bhosle. Explaining the words that I did not grasp, he had reminded me that the song was written by Fayyaz Hashmi and originally sung by Habib Wali Muhammad, both Pakistanis. Papa also personally knew Naushad Ali, a great composer from Lucknow. After his passing, I discovered among his belongings a couple of old tapes of songs written by the immortal poet, Faiz Ahmad Faiz.


His younger brother, our Suresh Chacha, is the most sophisticated connoisseur of music in the family. I will always cherish the memory of a day in Lucknow when the two brothers had regaled me with extraordinary Urdu shayari. Their daughter in law was mainly a shaukeen listener that day.  Suresh Chacha first introduced me to a Pakistani original ghazal by Qateel Shifai, “Shayarana si hai zindagi ki faza” sung to perfection by Alka Yagnik for a Bollywood film. Life itself is poetry as music pervades all shades of existence for this poet who exhorts us to taste the flavor of life. The voice of the woman invites her beloved to sing her as she turns herself into the ghazal.   
The beauty of Urdu poetry has been popularized by many lyricists like Gulzar whose origin was in Pakistan.  Although born into a Sikh family, he is known by his Urdu pen name. His song Jai Ho is better known thanks to the movie Slumdog Millionaire.  He shared an Academy Award with the composer A. R. Rahman. However, it is his striking Urdu poetry that continues to fill the hearts of Indian and Pakistani audiences. As his name hints, the flourishing of both cultures is the source of great creativity.  He wrote the lyrics of a favorite song of mine from an old film called Khamoshi. The word captures the intense silence of the depths. The song sings of the fragrance of the eyes and love as the eternally flowing drop of light.
A deeply loved singer, Muhammad Rafi’s silken voice had kept me alive when I was a song hungry child, but discovering Pakistan’s “Shahenshah e Qawwalli”, Nusrat Fateh Ali Khan has been a delight of my later life.  His bold voice breaks through all barriers and sings of a kind of Ishq (love) that is both ethereal and very real. During long commutes to my college, I listen to an album called “Colours- Sufi…Ke Anek Rang” (Many colors of a Sufi) that includes marvelous songs by him and his nephew Rahat.  Another favorite qawwalli of Khan is “mast nazron se Allah bachaye” (may Allah save me from an intoxicating gaze). Before his untimely death, Khan had composed music for Bollywood films and sang the song “Gurus of Peace” for an A. R. Rahman album. 



Speaking of this younger and another international celebrity, I find Rahman’s “Khwaja Mere Khwaja” song in the film Jodha Akbar profoundly beautiful.  The film powerfully and poignantly captures the love between a Muslim emperor and his Hindu queen.  The scene with Emperor Akbar whirling with the dervishes in a deep trance points to the Sufi tradition’s depth dimensions. With insight, one can see the Sufi image of the bird Simurgh singing on a distant mountain and recognize what’s always been within.



I had explored the Sufi path of love in the chapter on Islam in my 2004 book. I was greatly privileged to meet a preeminent Sufi scholar Seyyed Hossein Nasr whose book Knowledge and the Sacred is the most brilliant exposition of the tradition. Annemarie Schimmel’s book on Tasawwuf (Sufism) called Mystical Dimension of Islam has a curious reference.  She speaks of Adam (Adam is the root of the Hindi/Urdu word aadmi/human) as the first Sufi who was endowed with the spirit and the lamp of reason after 40 days of seclusion. Citing Sura 3:25, she says that God elected him as pure (safa) and declared him a true Sufi when Adam performed acts of penitence for 300 years in India!

Myths and legends abound about this ancient land. Songs, songs, and many more songs reverberate through the subcontinent as generations of singers, lyricists, composers continue to delight thirsty humans who do not care for the thrills of conflict but desire the rhythm of our collective humanity.  Turning toward the other side of the subcontinent to what is now Bangladesh, where my family is from, I connect with the music of Bengal.  My mother’s Sylheti language is full of sounds and metaphors from the Islamic world.  Although Bengal is almost notoriously musical, the form of music that most connects with the Sufi path are the songs of Baul singers.


I experienced the profound meaning of tariqa (the Sufi way) from my guru whose Baul poetry sings of heartbreak as the only path to love, the ultimate haqiqah (truth); it is a kind of love that flows objectless with piercing intensity that “drunken” Sufis like Rumi and Khayyam have immortalized.  Such love tears the veil (hijab) of separation over human eyes.  Khyapababa (mad father) personifies the borderless world of spiritual unity; he traverses many paths from Vajrayana Buddhism, Shakta and Shaiva tantras, to gnostic Christianity and the way of the Sufi fakir, all of them point to the human heart as the source of liberation from our delusions.
Bengal also has a history where the Sufi martyr Al Hallaj’s legend has mingled with the story of Satya Pir who is worshipped by Hindus as Satya Narayan, a form of Vishnu. A Pakistani friend and I recently spoke about how this self-realized Sufi master had run out with the cry of Anal Haq (I am the truth). Salman reminded me that after the saint was tortured and killed, every atom in his body kept singing Anal Haq, Anal Haq, Anal Haq.  When each particle in our being dances to the tune of the music of the spheres, we discover a profound inner Khamoshi (quiescence). Then we truly recognize that life is the dancing partner of this silence.

The Swedish academy’s decision to gift the subcontinent with this global recognition flew in as music to the soul weary of all the tiresome conflict mongering that provides puerile pleasure to the chronically immature amongst us. May there be a music therapy for the wounds of the sub-continent so that we can all hear that unheard sound of life. Our prize winning “grief stricken questers of truth” duo, who at once capture youth and age, Pakistan and India, Islam and Hinduism, will keep Aman ki Asha (Hope of Peace – an Indo Pak peace effort) alive.  They sing to us together - each of us is the truth.
 

Sunday, August 31, 2014

Repetitions, Rites of Sabbath, and the Myth of Eternal Return: Thus Spake a Moon Goddess - Neela Bhattcharya Saxena





Last year on August 31 as I began my sabbatical year my life as a blogger was inaugurated by sheer chance. Convinced by a colleague and spurred by external and internal happenings, I wrote my first essay called “’No Country for Women’: A Tantric Interlude.” In it I invoked my two habitats, India and the USA. In both countries overwhelming news of abysmal gender and gun violence had eclipsed all else. Gruesome rapes had shaken India; Newtown massacre of innocents had momentarily stunned America. A year later I have this uncanny feeling that things are the same, and yet they are not. So I find myself pondering the meaning of repetitions, sabbaticals and the myth of the eternal return.  

Once again I stand under the Mother Principle and invoke here an ancient Moon Goddess who images cyclicality like the phases of the moon; both dark and light, she seamlessly weaves her magic of the illusion of time. She speaks of the rhythm of life as work and rest, being and non-being, day and night. In her profound embrace both Kronos as death who eats his children and Kairos as life, an indeterminate creative instant, find solace. People invented linear time to get out of the circularity of the feminine; yet, a clock is circular like the moon; in an hour glass shape, time empties itself out as textured sand.



We can’t see time so we create incessant images. Some say time flies. Does it fly like a bird or like a plane? Where does it fly to? Heraclitus thought it flows, and you can never step into the same stream again. So it flows like a river? Or is it like hot steaming lava? Slow, glowing, inscrutable and unstoppable. Zeno’s paradox hints at time as a motionless arrow in flight with no target to hit. Or maybe it just folds upon itself and returns over and over again like the waves in the ocean.  Although concepts of space-time continuum create even more confusion for the mind, it makes a strange experiential sense. Quo Vadis time? Perhaps nowhere!



In Cloud Atlas, a Science Fiction film that enacts the myth of the eternal return, time folds over and the drama continues eternally.  Is life a never ending story where we each play different roles at different time stages? Do we recognize the sound of music played in another life time? Tom Hanks’ character is good here and bad there. A human woman is worshipped as a deity in another time. A black woman is white in other time guise; like shape shifters, one is a man here, a woman there. Do our non-individual souls grow impersonally through taking various shapes as Indian traditions of Karma and reincarnation as well as ancient Greek notions of metempsychosis imagine? 

Are time and the cosmos “Turning and turning in the widening gyre” as Yeats envisioned in “The Second Coming.”  Is time cycling or is it spiraling?  Again and again it seems Yeats was right in proclaiming: “The best lack all conviction, while the worst/Are full of passionate intensity”? Some beast has been “slouching toward Bethlehem” perennially it seems, given the Middle Eastern crisis, ad nauseam. The US is bombing Iraq once again. May be it is the same war turning and turning. Who could think “death had undone so many” to recall another modernist classic, “The Wasteland.” Did I just repeat myself? Yet like Eliot’s Prufrock, “I grow old…I grow old…I shall wear the bottoms of my trousers rolled.”


Our Déjà vu experiences happen sometime every morning. One hundred year anniversary of the so called Great War is being remembered in various academic circles this year while images of abducted women in Africa vie for attention with women warriors fighting against a deadly Islamic State of Iraq and Syria, wrongly nicknamed ISIS. The Egyptian goddess figure is a nurturing Mother not a killer drone or a mutilator of women.  It may seem gruesome violence is happening somewhere far away and yet death by guns, suicide or homicide, is a recurring event in the US. Ferguson is seething.

What is wrong with us, asks an American after a 9 year old killed her instructor with a fully automatic machine gun at a shooting range near Las Vegas. Whose accident was it? Middle Eastern or American phenomena? We kill children and teach children to kill. They say, “There is nothing illegal about a girl handling an Uzi.” The ad states: “You will choose the guns which you want to shoot from our extensive collection, and we provide the eye/ear protection, ammunition, and expert guidance.” It adds: “Our .50 Cal. selections includes the Barrett Sniper Rifle, the Browning BMG .50 Cal (‘the deuce’) and the Desert Eagle. We even have the actual firearms used in several Hollywood hits including ‘The Terminator’ and ‘Rambo II.’ ”

Expert guidance, indeed! A literature teacher like me would rather have a 9 year old read an essay I read as a teen ager called “On Doing Nothing” by J. B Priestley, I believe. It had fantasized what if all the generals and kings of the world had decided one fine morning in 1914 to go to the meadows and lay down under the clear sky and do nothing.  Unfortunately, so many of us fantasize about being Rambos and Terminators than dream of lying under a green wood tree. So we are determined and destined to repeat the wars and destroy our green earth.  Some say we can always go to another planet once we have depleted this one. Or maybe we can all take a sabbatical, let the earth breathe, and do nothing for a while.


My son was telling me how those who strictly follow their Sabbath rules hire somebody to even turn their home lights on. It’s a caricature of course of a beautiful ritual and won’t do. I was quite thrilled to go to the root of the word Sabbath. Guess what? There too you meet a Moon Goddess.  But who worships moon goddesses today? It’s a primitive ritual meant for anthropologists and religionists to study and marvel about the archaic mindset of people from pre-scientific age. After all once man landed on its rocky surface, apparently all its magic was gone. We are all progressing in a straight line toward a utopia under rational religions in a technological golden age!  

The myth of the eternal return says otherwise; we reenact ancient rituals without knowing, both good and bad. Religious rituals are an attempt to contain our habitual aggressions and give us time to ponder inner realities. Without awareness, we are condemned to repeat our unconscious patterns. So the Sabbath apparently recalls the rise of a patriarchal and warrior deity. God worked hard for 6 days and “He” needed rest.  What if God was menstruating and needed the rest to rejuvenate Herself for another creative cycle? Anathema? Yes, in some circles. I love the roots of words; anathema was a woman’s offering to the goddesses in ancient Greece. The root of the word Sabbath is “sabattu,” when Ishtar, the moon goddess of Babylon, was thought to be menstruating.



Sabattu comes from Sa-bat or Heart-rest according to Jungian scholar M Esther Harding: “It is the day of rest which the moon takes when full, at that time it is neither increasing nor decreasing. On this day, which is the direct forerunner of the Sabbath, it was considered unlucky to do any work or to eat cooked food or to go on a journey.” Very similar to the goddess’s menstruation rituals still practiced in my part of Tantric India. My sabbatical is ending. Academics are lucky to receive this time to read, write, publish and sleep under the tree if we want to. When we return to teaching, we will have to deal with the anguish of the young students reeling under the pressure of time. 

A culture of aggression creates vicious cycles of violence, both economic and physical. Innumerable gun deaths remind us that we live and die by our own swords. President Obama’s apparent “inactivity” and reluctance to wage wars around the world is a sign of hope. On the other side of the world, my other habitat, there is a new prime minister who has to prove to the world that he can lead a secular democracy with a 5000 year history without resorting to narrow religious shenanigans.  But at his Independence Day address on August 15, he said something that big Indian politicians have never said before: “Our heads hang in shame when we hear about rapes. Parents ask about daughters but did anyone dare ask their sons. After all, the rapist is someone's son. As parents, have we asked our sons where he is going? Why not put same yardstick for sons too?”


More, he said: “India's sex ratio is 1000 boys for 940 girls. Who creates this disparity? It isn't God. Don't fill your coffers by sacrificing the mother's womb. People feel that sons will take care of them when they are old. But I have seen aged parents in old-age homes. I have seen families where one daughter serves parents more than five sons.” Well, we do not procreate because of ulterior motives, but I will take this for now. Women have been taught to serve, and it can serve them in the long run if their service is not misread as servitude. Women’s life sustaining, cyclical and not too exciting daily activities have long maintained the world. Today’s hyper active and aggressive cultures have to learn to respect and imitate rhythms of the Mother if we want our planetary existence to survive. 

Prime Minister Modi’s words are heartening but are they empty words or a prophetic cry of the times? Maybe something changes as time turns. Regeneration is inherent in degeneration, and polarities of life ensure growth. Nietzsche, the prophet of the eternal return with a difference affirms life in spite of its horrors. In The Gay Science he writes: "And thus it will happen one day that a man will be born again, just like me and a woman will be born, just like Mary - only that it is hoped to be that the head of this man may contain a little less foolishness...” Amor Fati!