Snowy Saraswati drapes our yard
with her white sari and her hansa (swan that knows) flies through the blue sky
in great freedom. Big chunks of white
fluffy snow fall off trees revealing the denuded blackness of the wintry
branches. Soon it will all melt and flow
away into nothingness like the ancient river Saraswati. Legend has it that she
used to flow in northern India during the time of the ziggurat builders in
Mesopotamia. The Indus Valley Civilization of that time has melted away like
many such great human achievements; yet, the river’s subterranean presence can
be felt in Allahabad, the ancient city of my Alma Mater. There she meets her
sisters Ganga and Yamuna to create a sangam, a confluence, a flowing
togetherness of being.
As Vasant Panchami arrives in India
and many students offer their books and musical instruments to Saraswati, the Hindu
Goddess of learning, this blogger rides a snowy flight of fancy to the 21st
century Before the Common Era when Bronze Age civilizations flourished. Often
subterranean rivers of our psyche flow effortlessly into timeless zones
unavailable to our conscious and rational everydayness. Lost in getting and spending
in a mad rush to erect illusory castles of permanence, we lose that overflowing
Saraswati, that sinuous melody of our being. She goes deep underground and lies dormant
until we hear the quiet sound of her Vina.
An Indian master craftsman can make her murti with such meditative
rapture that we get a glimpse of her concrete presence on the day of her annual
celebration.
One of my enduring childhood
memories involves the making of her murti by our art teacher. As children my
sister and I were given most of the responsibility for her puja by our father. On
his daily morning walks, he would especially look for the mango flowers
essential for her ritual. These heralded the coming of spring or Vasant. We had
to wake up early, bathe, make garlands and grind sandalwood paste as our mother
took care of more difficult jobs. The cool morning mist would mingle with the
sound of her mantra as we, two young girls, would partake of the sharp tasting mango
shoot with milk and honey as charanamrit, the liquid nectar flowing from her
feet. Perhaps when children repeat her
mantra and write her name on a banana leaf with a bamboo pen and milk, something
of her gnostic magic permeates their being.
Wanting to know is a very strong
impulse of our being, and in India we have many Saraswatis who preside over all
kinds of learning. This pristine white
one must be worshipped by children so that they learn the discipline of
discipleship. If fortunate, we may find
real teachers who will instill a sincere love of learning that can infuse life
with profound beauty. Without prayerful
ritual observance of her puja that may later lead to a meditative absorption,
she remains mainly an information gathering instrument. Yet her very presence in the collective
cultural consciousness can create a pathway that may lead some to the deeper
aspects of Nila Saraswati Tara who presides over a mystic transformative
knowledge.
So flying on the wings of her milky
swan, I sweep the timescape of the 21st century BCE and find all
kinds of cultures and people who create an ancient tapestry of our collective
human heritage. I make my first stop in Egypt and find Mentuhotep II on the
throne, the first ruler of the Middle Kingdom who reigned for 51 years. The blue river Nile is flowing with tremendous
power as people of his time erect monuments that will speak to their
descendants.
Some of his wives were the
priestesses of Hathor, a primordial goddess of death, dance and music. The King looks like an old version of a black
dervish in one depiction. He was identified with Osiris, god of the afterlife.
I find his piercing eyes and his folded hands without any ornate kingly jewelry
deeply appealing. This murti is stark like the myth of Osiris, ruler of the
dead. Strangely he was also known as the lord of love and the lord of silence.
Flying over the Mediterranean and
the Black Sea I descend upon Greco Anatolia.
This is an extremely ancient land as the findings in Çatalhöyük have
attested, but more recent discoveries in Göbekli Tepe suggest we may have to
rewrite the history of humanity once the meaning of its monumental temples is
deciphered. But in the 21st century BCE, the Hittites and Assyrians
reign here. They may have been the earliest speakers of the Indo European group
of languages that include Sanskrit and Greek.
Mycenaean Greeks also inhabited
this land in this timeframe. Just a little south one could see the land of
Knossos where the Minoans created a most exquisite civilization full of dynamic
women and their serpentine goddesses. This legendary land housed King Minos and
Daedalus’s famed labyrinth. I was
startled to see the name Manasa listed as one of the Mycenean goddesses; I only
knew of the Bengali Manasa, an Indian serpent goddess!
Now the ancient Near East beckons
the fanciful traveler where Inanna and Ishtar reigned across the minds of its
people. Mesopotamia, the land between the rivers Euphrates and Tigris, has been
called the cradle of civilization by those who mark civilization as writing. Another ancient habitat where humankind’s
first known myths of the Enûma Eliš
arise, the twenty first century BCE had a king called Ur Nammu. He might have created one of the first codes
of law that inaugurated a more patriarchal bend in civilization’s history. He
also built the great ziggurat of Ur and dedicated it to Nanna, its moon god. Already
a lot of history had washed up on the shores of these rivers, but this ancient
seal with the moon makes a great impression.
It may be a ceremonial seal, but the low hanging moon and the priestess
who leads the procession is quite a regal figure.
Flying over the Yellow River we now
visit the Xia dynasty in China. The
Great Flood of this river is spoken of in the bamboo annals of its
history. Yu the Great reigned at this
time. His father tried to stop the flood
but failed and was killed. The son succeeded where the father had failed and
became a legendary leader. Like Indian, Mesopotamian
and Biblical stories, Chinese mythology too speaks of a great flood. The most ancient layer of Daoist philosophy
might have operated at this time giving rise to the balancing play of the Yin
and the Yang. I find the tale of the Weaver Goddess in Chinese mythology
fascinating; daughter of the Jade Emperor, she weaves magical love tales and is
connected to the Chinese version of the story of the Milky Way.
We now visit the ancient Indus
Valley in search of the lost Saraswati. The
Mother Goddess figurine below speaks of India’s deep connection with female
deities. Already in its mature period at the second millennium BCE, the
civilization encompassed a vast part of modern South Asia. Although contemporaneous with Egypt,
Mesopotamia and Crete it has been relatively neglected and is the least known
of the world’s oldest civilizations, possibly because no Rosetta stone has been
found to unravel its “script.”
Mohenjo-daro was the most advanced
city of this time and its archeological splendor reminds us that the deepest
strata of Indic civilization lay in this sphere. It may contain clues to
India’s ancient knowledge systems of Yoga and Tantra. Images found there speak
eloquently of a civilization that shaped the Indic sensibility. The Pashupati
Shiva seal, although disputed, appears to hint at Yoga’s antiquity. The priest king and the dancing girl with an
attitude are a tantalizing presence in our early history.
While current generations of
scholars are mired in colonial disputes around the Vedic and the Indus layers
of its civilization, perhaps some young students who worship Saraswati today
will discover the ancient clues without any reactive modality. It seems quite
clear from current practices that the Vedic mantric civilization effortlessly
mingled with Indus’ image world. Today’s
India is a secular democracy where many religions coexist. Its ancient understanding
of plurality and multiple ways of knowing truths has been its greatest asset.